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Prompt #4

I believe that in this hypothetical musical catastrophe, the music community would instantly split in two groups of opposing views. First, those who can’t remember any music of the past, but do remember that it had a huge impact on their musical tastes and strive to dig through thousands of recently made songs for any interpolation or reference to past compositions. The second group, likely made of younger people, may remember the phrase “classical music” and perhaps the stereotypes of it, but seem to feel as if it didn’t hold much precedence in their lives, and don’t see the importance of going through so much effort to preserve it. I think that although I definitely understand how impactful and important classical music was to what music has become, I would bet that if you wiped my memory of any actual examples of classical music, I’d fall firmly in the category of those trying not to dwell on the past, and instead try to push music forward in to new territory.

Now I may be a piano player, but I’m definitely not a great piano player, but let’s imagine I have the ability to perform any modern piece for my own sake. Most pieces that I’d want to play wouldn’t be played alone,  Voices from the Killing Jar by Kate Soper comes to mind, as to me it represents such a wild and deranged modern sound.

Secondly, I’d want to cover some modern jazz, I’m a big Kamasi Washington fan, so a song like Final Thought is an incredibly fun example of how jazz, funk, and African rhythms have blended in the present day. Washington also covers Clair de Lune on this album, but I imagine the ghost of music past will take that away from us as well

As unfortunate as it may seem to me now, I think post-memory-wipe, the younger generation that lacks the appreciation for dead composers would win over time. The older preservationists would likely die off before completing the impossible task of recreating the masterpieces of Mozart and Bach, and we’d be forced to move on without it.

Prompt #3

Variation 15 of the Goldberg Variations shows notable differences from Gould’s 1955 recordings to those of 1981. The first change you would likely notice is the tempo. Gould decides to take the piece at a much slower pace in 1981, resulting in a more intimate and retrospective tone. Another interesting difference is Gould’s breathing during the piece. The younger Gould takes controlled exhales along with the rhythm, while the older Gould is practically singing along with the melody, which shows us a man much more familiar with the piece than he was 26 years prior. In 1988, Gould appears to let each note he plays have a short moment in the spotlight,, making an effort to bring equal importance to both the right and left hand voices, while in his first recording, the left hand appears to serve merely as a support to the melody. The combination of a slower tempo and a more separated playing style, the piece takes on a less humanlike tone, although I’m not sure that was his intention.

As a result of these recordings being taken over two decades apart, the sound quality is noticeably better in the later recording, although the soft, high-frequency hiss of the 1955 recording does provide a comforting, more nostalgic feel to the piece. I began writing for this prompt thinking I was going to give the later recording higher praise, as I did enjoy it more on first listen, but there’s something much more genuine to how Gould plays it in 1955 that cannot be replaced.

Prompt #2

My 3 Golden Record Picks:

As – Stevie Wonder

As is an interstellar love ballad written and performed by Stevie Wonder, released along with arguably his greatest piece of work,  Songs In the Key of Life, in 1976.

A Day In the Life – The Beatles

A Day In the Life is a musical rollercoaster that serves as the grand finale to The Beatles’ legendary 1967 concept album Sgt. Pepper’s Lonely Hearts Club Band.

 

Pt. II – Resolution

Resolution is an exhilarating and engaging jazz piece composed by John Coltrane that serves as the second quarter of what many consider his magnum opus, A Love Supreme.

My direction in this prompt was to pick songs I feel are the most charged with emotion. As is somehow both epic and comforting in nature, and I felt the themes of outer space were fitting, A Day In the Life starts quite simple, but unravels into a grandiose piece rapidly changing in tone, and Resolution manages bring out a beautifully sinister tone without any lyrics to help.

Prompt 1: Leslie Laskey

  1. Looking back at the “bones of summer” how have you engaged or created art? If you haven’t engaged or created art, please describe why.

I’m always trying to make a conscious effort to keep creative, this summer especially. Almost every day I played some form of music, be it 10 minutes at the piano or producing some small beat on Ableton Live. I also made a few podcast episodes with my friends, but that was seen more as something fun to pass the time than an artistic venture . As for engaging in the art of others, I often consume music at a borderline concerning level, and I watch movies and tv series occasionally.

  1. What things, if any, surround you that you consider powerful?

The MIDI keyboard on my desk. I think the fact that it’s almost always in arms reach of me adds to its power, since it’s so effortless to interact with. My Epi-pen is pretty powerful from a life- saving standpoint, but thankfully I’ve never had to use it on myself. Hands down the most powerful item I own is my phone,  but it’s more often a bad power than a good one, since it’s incredibly easy to get distracted by a myriad of addicting apps. My phone is also where I listen to 90% of the music I listen to, so I have to give it props for that.

  1. Over the next couple of days, take note of the dominant sounds in areas that you consistently walk. What are the sounds you notice most of all? Be specific.

The first thing I hear on a walk is cars slowly swooshing across the main street of my neighbourhood. Today it was raining, so that was the next most prominent sound. It was a high pitched rain as it wasn’t pouring too hard, but it was a balanced and consistent sound. Next would be the footsteps (or pawsteps) and the short pants of my two dogs as we walked. I could hear the steps of my older and fatter dog much clearer than that of my puppy. Then comes my own footsteps, which I rarely notice when I don’t make an effort to, I guess since I’m so used to them. As we walked off the sidewalk and into a gravel trail, our footsteps became much louder, more ‘crunchier.’ The last leg of my walk was in the forest, and the most interesting sounds I noticed were the several layers of rainfall. Up high I could hear the rain lightly landing on the leaves of trees, and eventually those drops would group together and splash down on the trail with a much lower and unpredictable sound.

  1. How do you relate to the phrase “free time only works if you steal it?”

I strongly agree with this. I find myself spending much of my free time doing aimless and unproductive things like scrolling through social media, playing video games, or watching YouTube, and deep down I always know that I would be happier with myself doing something creative with this time, but more often than not I’m simply too lazy to even think about doing something worthwhile.

  1. Do you have any other takeaways from the film?

I loved how Laskey found beauty in so many things, such as the burnt clamp he found in his neighbour’s fire pit, which he spoke of as if it were a modern masterpiece. I also noticed a certain competitiveness in the language he used when talking about art; not towards his peers, but towards the medium itself. He quotes another artist saying “sometimes you win and sometimes the block wins” when working with a wooden block. Later when talking about photography and collage he often used the word “arena” to describe what the medium he was working with gave him. It seems as it a goal for him when working on a piece is to prove himself to the piece itself.

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